For his arts project residency, Raleigh artist Bill Thelen will return to the theme of an earlier piece of his. Biscuit King, made in collaboration with Jerstin Crosby in 2007, is a tabletop-sized model immortalizing an establishment that once flourished a few blocks from East Campus—“the only breakfast joint on Ninth Street where you were likely to encounter a moustache,” according to an Indy Week piece marking its demise in 2004.
Thelen’s creation for the Ruby’s grand opening, Biscuit Station, will be large enough for visitors to walk up to and order a “biscuit”. Visitors will receive a small lino print based on Thelen’s drawings. Biscuit Station “workers” (aka students) will take your order and print custom-order fillings such as egg, sausage, cheese, etc. The prints, rolled out right in front of you, are interchangeable and can be stacked to meet every order. Double egg, pimento cheese, fried chicken patty?” No problem!
The installation will also feature posters, banners, drawings, and screen prints around the theme of southern culture and southern cooking. Thelen will use supplies from Durham’s Scrap Exchange—diverted from area landfills—to create this work.
Thelen and Crosby’s original Biscuit King was featured in the Nasher Museum’s 2016 show Southern Accent: Seeking the American South in Contemporary Art. Thelen will use his time in the Ruby’s painting studio to put finishing touches on another model in the series, as well—Biscuit Kitchen (Fayetteville). Jerstin Crosby continues as collaborator in this work.